![]() ![]() ![]() ![]() Analogue clock is also available with configurable polarity for optimum compatibility with modular and vintage equipment. The four available outputs can be programmed to function as a MIDI or DIN output with the the DIN section working on Sync24 format. E-RM Multiclock USB: Master Clock w/ Swing MIDI & DIN sBlack (EU + US PS included) 580. This function allows you to gently nudge lagging equipment to force it into time with other gear, the range of shift is around 400ms giving you plenty of scope for keeping your rig in check. Shift and shuffle of each channel is available. Multiclock includes for configurable outputs for synchronizing MIDI and DIN equipment to its master clock.ĭAW sync is handled via USB and works on a sample accurate clock stream for the tightest possible jitter free clocking. 248.57,DESCRIPTIONThe E-RM ‘Multiclock USB’ is a multi-format solution for audio device synchronization of all kinds of musical gear with great precision to a DAW or Master Clock. Multiclock provides a convenient solution to the age old issue of clocking and synchronization between multiple pieces of hardware. Synchronisation of the E-RM MultiClock USB to a. To put a finer point on it, I would be just ecstatic to buy the MRCC instead of a second and likely third multiclock which I would pick up just for this clock functionality (and certainly not for anything else it does).The E-RM Multiclock is a multi-format synchronization box that provides seamless and tight clocking for all of your MIDI and DIN equipped instruments. The E-RM MultiClock USB can be its own master or synced to external MIDI, DIN sync or Analogue master clocks. Please consider a clock offset feature like the multiclock's. I hardly care about the other things the multiclock does, like prioritizing clock messages over other midi messages, allowing for clock division of or shuffle introduced to the midi clock outputs, or the transport controls for each midi output. It seems like this could be more difficult or impossible to achieve on the hardware you've designed as others have pointed out. ![]() Synchronisation of the multiclock to a DAW. E-rm advertises +/-1 sample jitter at 48khz when syncing multiclock this way. The multiclock solves your sync issues in the studio and on stage once and for all. Each channel can be set to either emit MIDI, DIN sync or analogue clock. CUSTOM OUTPUTS The multiclock has four outputs. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock, which allows for rock solid sync signals. Enough the make it unusable with other VSTi. Their plugin makes it really easy, but really only a DAC is needed to make the pulses. The multiclock can be it’s own master or synced to external MIDI, DIN sync or Analogue master clocks. The audio over USB of the TR-08, and all the Roland boutiques for that matter, has a terrible amount of latency. The other part of how the multiclock achieves superior sync is that it can sync to a sync signal generated by an audio interface (DAC) originating from a DAW. Professionally sync all your electronic instruments and software with the E-RM Multiclock USB Sync Interface. For example, one MIDI output can be connected to an E-mu SP-1200 with -0.5 ms offset, and another can be connected to an Akai MPC-3000 with the clock delayed 2.1 ms, allowing the sequencers to be actually in sync with each other and a DAW, as opposed to having phasing issues. That is, you can offset the clock signals that are being sent out by 1/10th of 1 ms offsets. I created an account to say that I would also buy one of these if it did the basic MIDI clock offset functionality of the E-RM multiclock. ![]()
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